Prodipe Ribbon Stereo microphone Ludovic Lanen
Tip produs: ribbon stereo microphone ludovic lanenProducator: Prodipe
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Prezentare Prodipe Ribbon Stereo microphone Ludovic Lanen
Using the famous microphones of the 60s as starting point, Prodipe has created a new generation of ultra-tough ribbon mics that because of their directivity in 8 are capable of:
Stereo and simultaneous recordings that let you pick up the mood of the room from behind and almost completely isolate any sources that are on either side of the mic.
The speed of response obtained from the lightweight nature of a ribbon that comprises 2.8 micron width aluminium.
A respect for the timbre of each instrument and a very natural reproduction of their respective sounds.
An ability to manage very high sound levels (for example, guitar amplifier at full blast).
High-pitched sounds that are never aggressive (brass, metal percussion), even if the pickup is nearby.
Directivity in 8 so you can capture the atmosphere of the room from behind and almost completely isolate any sources that are on either side of the mic.
In particular, the ribbon mic demonstrates its qualities when recording:
Electric guitar amps
Drum kit overheads
Percussion instruments
Brass and woodwind
Horn sections
Acoustic piano
Acoustic guitar
Stringed instruments (solo)
String sections
Choirs and orchestras
Voice
The R.S.L mic is supplied with suspension, cable and clip in a hard case.
Specs:
Polar Pattern: bi-directional
Frequency Response: 30-18kHz
Self Noise: 17dB A
Sensitivity: -50dB±3dB (0dB=1V/Pa at 1KHz)
Max. Input SPL: 140Db (at 1kHz≤1% T.H.D)
Output Impedance: 20Ω
Load Impedance: 1000Ω
“The RSL blew me away! When you compare it to classic ribbon mics, the Prodipe RSL offers a similar level of performance.
It gives you everything you’d want from a ribbon mic - softness, roundness, warmth and a natural reproduction of the instrument sound, for example, with a guitar or any other harmonically rich acoustic instrument the RSL brings out the purity of the timbre and the presence of the instrument with incredible accuracy.
The Prodipe RSL fills a gap in the market for this type of mic and my feeling is that no studio or home studio should be without one.”
Yvon Guillard
YVON GUILLARD belongs to a class of musicians whose careers have developed through bold experimentation based on nonstop musical research.
A classical training from a conservatoire combined with a natural affinity for jazz, rhythm and blues paved the way for Yvon Guillard to work with the likes of Weidorje at one end of the spectrum and Jacques Higelin at the other, not forgetting Bernard Lavilliers, Veronique Sanson, Bill Deraime, Serge Gainsbourg, Magma, Youssou N’Dour, l’Affaire Louis Trio, the Silencers, Eva Marchal and Claude Salmieri in the middle.
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