PreSonus - mixer StudioLive 16.0.2
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Prezentare PreSonus - mixer StudioLive 16.0.2
8 mono mic/line channel inputs, each with:
High-headroom Class A XMAX™ mic preamplifier
XLR mic and balanced ¼" line inputs
60 mm precision fader
4 stereo line channel inputs, with:
High-headroom Class A XMAX™ mic preamplifier (Ch. 9, 11, 13, and 15)
XLR mic inputs (Ch. 9, 11, 13, and 15)
Balanced ¼" line inputs (Ch. 9-16)
Unbalanced RCA line inputs (Ch. 13-16)
60 mm precision fader (4 stereo)
4 Auxiliary buses (pre/post-fader send)
2 Internal FX buses
2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)
Full-featured compressor
Standard downward expander
Limiter
Phase reverse (12 mic preamplifiers only)
Pan with dedicated 15-LED display
Stereo link for input channels and aux buses
High-pass filter
One 31-band stereo graphic EQ (on main outputs only)
16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)
Compatible with most audio software via ASIO, Windows Audio, Core Audio
Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle for Mac® and Windows® includes:
PreSonus Studio One Artist™ digital audio workstation
PreSonus Capture™ live-recording software
PreSonus Universal Control with Virtual StudioLive™ bidirectional mixer-control software
Lockout mode protects your settings from meddlers and accidents
MIDI Control Mode provides control over:
Scene and FX Preset recall
Main Volume, FXA, and FXB output levels
FXA and FXB assign/unassign to Mains
Free StudioLive Remote iPad® wireless-control software available at the Apple App Store
Computer system requirements:
Below are the minimum computer-system requirements for your StudioLive 16.0.2.
Windows
Windows 7, Vista, XP (32-bit and 64-bit)
Intel Pentium 4 1.6 GHz processor or AMD Athlon 64 (Turion) (2.5 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Macintosh
Mac OS X 10.5.2 or later (32-bit and 64-bit)
PowerPC G4 1.25 GHz or Intel Core Solo 1.5 GHz processor (2 GHz or faster recommended)
1 GB RAM (2 GB or more recommended)
Windows and Macintosh Systems
IEEE 1394 FireWire 400 Port
Internet connection recommended
DVD-ROM drive
Internal or external 7200 RPM storage drive highly recommended
Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) that you might experience while monitoring audio or MIDI signals.
Monitor resolution for both PC and Macintosh should be no lower than 1024x768 pixels.
Known compatible and incompatible hardware
Microphone Preamp
Type
XLR Female, Balanced
Frequency Response to Direct Output (at unity gain)
20 Hz-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Output (at unity gain)
20 Hz-20 kHz, ± 0.5 dBu
Input Impedance (Balanced)
1 kΩ
THD to Direct Output (1 kHz at unity gain)
< 0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
THD to Main Output (1 kHz at unity gain)
0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
EIN to Direct Output
+125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
-97 dB
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd)
-94 dB
Common Mode Rejection Ratio (1 kHz at unity gain)
+65 dB
Gain Control Range (± 1 dB)
-16 dB to +67 dB
Maximum Input Level (unity gain)
+16 dBu
Phantom Power (± 2 VDC)
+48 VDC
Line Inputs, Balanced
Type
1/4" TRS Female, balanced mono
Frequency Response to Direct Outputs (at unity gain)
10 Hz-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs (at unity gain)
20 Hz-20 kHz, 0/-0.5 dBu
Input Impedance
10 kΩ
THD to Direct Output (1 kHz at unity gain)
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